However, he saved the day by quickly creating more paintings to replace them. Once when Rubens was delivering some paintings to the Spanish king he was caught in a downpour and the paintings were ruined. The artist made drawings which he later used in his paintings. He also had a lot of different animals on his estate. The duke had a large collection of paintings and sculptures which Rubens studied. ![]() As the court painter he didn't have to pay taxes and was free of many of the rules other artists had to observe. The Duke of Mantua asked him to be his court painter. Many artists have painted pictures about this Bible story. Rubens made another painting of the same subject which is in the National Gallery UK. These were two separate events and the painting appears to be based on the event as recorded in Luke because it shows two boats, Peter is kneeling before Christ, and one disciple appears to calling to the others for help. The one in Luke 5 occurred at the beginning of Jesus' ministry when he called the disciples, and the other in John 21 after the resurrection. ![]() There are two accounts in the Bible of a miraculous catch of fish. It was commissioned by the Guild of Fish Merchants for the parish church of Our Lady in Mechelen. The painting of the The Miraculous Draft of Fishes is a triptych, which means it is painted in three panels. Two of these apprentices who became famous in their own right were Anthony van Dyck and Jan Brueghel. He described the work of the apprentices as being by "well-versed masters". He let the apprentices start the paintings and add the clothing, then Ruben himself would work the details which made the painting uniquely his own. He had a regular assembly line to produce the paintings. His commission for the altarpiece was so great he was able to build a fine home as well as studios and lodgings for his apprentices. Actually he painted the subject two times and the second one remains in the church. In Rome he painted the altarpiece The Madonna With Angels. He made decorations for the palace walls for Maria de Medici.Īs an artist in the courts he could quietly observe what was going on, and he was asked to become a diplomat to help solve political problems. Sir Dudley Carlton, one of his admirers, described Rubens as "prince of painters and painter of princes" because he painted several members of royal families. In contrast, Rubens was a devoted family man and led a peaceful life. Hockey favors the iPad’s Brushes app for landscapes, which allows him to play back the creation of the drawing “so that he can watch himself at work.” In this self-portrait, he uses app “to capture the out-of focus effect of a face seen from very close.His father's life had been filled with scandal and he spent time in prison.As a medium, one of the iPad’s advantages is speed. Wasting no time, he created this drawing for the Order of Merit portrait series in the Royal Collection just four months after receiving the honor. ![]() Hockney was appointed to the Order of Merit in 2012.“And I tell them, ‘Well, no, actually, it’s just that occasionally I speak on my sketch pad.'” “People from the village come up and tease me: ‘We hear you’ve started drawing on your telephone,'” Hockney told the New York Times. This self-portrait was drawn on an iPad and ink-jet printed, but Hockey has also worked on the iPhone, sketching bouquets to send to friends. ![]() The form satisfies instincts toward immortality, self-reflection and self-aggrandizement (#selfie), not to mention the human imperative to investigate if others perceive us as we perceive ourselves.ĭavid Hockney’s “Self-Portrait, 6 April 2012” Self-portraits can be practical: some artists lack the funds to pay for a professional model, or they’re sketching out a new technique and want to keep the stakes low. Self-portraiture is now so ubiquitous that it’s interesting to discover it only gained momentum during the 15th century, around the same time the “cult of the artistic personality,” write Reynolds and Peter, also arose. Both portraits and self-portraits comprise “a book about the image of the artist and how that image - in reality and in perception - has changed over time,” write Anna Reynolds and Lucy Peter, who along with Martin Clayton, co-authored the book. “ Portrait of the Artist” does just that, collecting images of artists from the vast British Royal Collection, which includes work by Sir Peter Paul Rubens, David Hockney, William Hogarth and more. In an age saturated with selfies, sometimes it feels good to put the iPhone down and leave it to the pros.
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